Animal Farm

Animal Farm

Animal Farm by Professor A.L.I.

George Orwell’s seminal text, is an allegory that remains as pertinent to our status quo, as it was in the time he penned it.  Orwell intended his eponymous farm to be symbolic, and in interviews, spoke to his intention to speak to the Russian Revolution through his novel.  The story explores the tensions of the worker through the lens of animals, and the role of the ruling class through a farmer’s tyranny.  Sadly, this very dialectic and tension is exacerbated now, and the past ten years have seen movements from Occupy Wallstreet, to economic tensions leading to extreme polarization that brought about the elections of Trump, Brexit and nearly wrought France under the leadership of Le Pen.  Those on the bottom, exemplified by the domesticated beasts in the text, are the people, and it is to this population I wanted to speak to, and address the very realistic tensions that we face in this day and age.

For this reason, I remixed and re-released Animal Farm, to pay homage to this text, and to the tensions we face currently—and combined with the beautiful cover art by Adam Hunter Peck, hope to draw attention to the core message—that change is needed.

Early in the song, I state: “The battle of righteous souls, versus those sick, like a war in Benghazi, the blood of Qaddafi…” referring to a tension I notice daily on my social media timeline, which seems to between principled people and a polarizing media programming.  Global events are spun to be about one thing, when in truth, they are motivated by the same base desires as the farmer in the Orwellian framing, which is an insatiable desire for profit, or greed.

Later, I talk about how this tension, leads to coalition building by those who are divested, and are seeking change.  This group has symbolic leadership, which I speak to with the lines, “I carry Malcolm’s martyrdom, like Yuri Kochiyama,” and further emphasize this with the lines “I’m Caeser with Montablan, Conquest, part five,” which invokes the classic Planet of the Apes film where the Apes rebel and takeover. The idea of a revolution, is change, and when one is seemingly imprisoned by economics, or by politics, breaking free is a part of that change.  This is why I say, “like an ambulance Assata used to escape from prison, I seek a vehicle like Hagar’s quest for a vision.”

Escape from a practical system of economic servitude that the masses participate in is the whole, point, which brings us to the hook: “this world we live upon, is an animal farm; choose to be livestock, or choose to be armed; raise the alarm, like these Beasts of England; because their feast’s beginning, with our children.”

That chorus needs no explanation, as it invokes Animal Farm, the text, specifically—even referencing the song “Beasts of England,” which is the revolutionary song the animals in the book sing as they takeover.  I further elaborate the point, about oppression and tyranny with the lines, “we are the Injuns that feed their engine, brown spots in their field of vision; like colors in prisms, light division, sufficient, yet white imprisons; in missions, hacienda’s, (migrant) farms and plantations; globalization, this life is leased to own by corporations.”

It is truly a tension between corporations and people, where the people are beasts of burden, and in this framing, they are destined to come together as a result, since they are all being victimized.  Thus, the lines, “red; yellow, brown and black, given cancer and heart attacks; alcohol & cigarette packs, secret police, infrared tags; on minarets, prayer halls, even ten Gurus on the walls; doesn’t matter as long, as beard is long, silent prayer calls; whether in turban or veiled by curtain, were just beasts of burden.”

I hope this piece, helps spark that coalition building of all oppressed people, so we cease to be beasts of burden, and help usher in a better world together.

Peace.

Advertisements

Dear Mama: Remembering Afeni and 2pac

Afeni2pacThis piece is dedicated to the Shakur tribe, on this occasion, which would have been Tupac Shakur’s birthday, we commemorate his soul and that of his recently departed mother, Afeni Shakur as well.

The news of Afeni Shakur’s passing was abrupt and sudden, just days before Mother’s Day, Dear Mama had left us and as a product of the Bay, an extension of the Panther legacy and a cultivator of Hip-Hop, I felt personally affected, even though I had never been blessed to have met Afeni in life.  I immediately contacted Sheikh Hashim Alauddeen, who had known 2pac, and had seen Afeni before, to share the heartbreaking news; and when he, who is usually loquacious, had no words save remorse, it furthered my heartbreak.  We were both dumbstruck and I didn’t know what else to do but to pray for her soul, and the soul of Tupac, as I also prayed for Sekyiwa and her children, Mopreme, Mutulu, Zayd, Assata and Jasmine Guy, who had purposefully helped me connect with Afeni through her writing.  To all those to whom Afeni was linked and to everyone she touched via her impact on social justice and through her children, I say and said inna lillahi inna ilayhi rajioon, “we are created and unto the creator do we return.”  Peace and Blessings.

Tamils_Love_2pac

Motherhood Besieged

Mother’s Day in America has many narratives, though all are of struggle; this is due to the fact that all mothers in America are born under the yolk of patriarchy, and the fact that there is no physical or metaphysical equivalent comparison for carrying a human being to term for up to nine months.  However, there is one matriarchal narrative that is so steeped in oppression that it stands apart from the others; this is of the mother whose child is stripped away from them as chattel and sold.  This narrative is of the captive mother, and it echoes from the skeleton closet of our nation’s history and it continues to reverberate in recent times.  The two most infamous examples of this oppression is manifest in the wombs of two women, held in captivity, who navigated their motherhood while they fought for their freedom; both women took on the surname Shakur.

Shakur in Arabic means to be thankful, which seems a word at odds with the adopted surname of a mother who was imprisoned for a crime for which she was eventually acquitted while she was pregnant—and the name seems especially ironic in that the Shakur tribe bore this oppression because America feared what was in their wombs, far more than any other force.  Sadly, this is not hyperbole, but the sad truth regarding the maneuverings of J. Edgar Hoover’s FBI, which fought actively to prevent any Black Messiah figure from emerging and that included being born; COINTELPRO was directly utilized under Hoover’s guidance to snuff out any leadership of this type.  The irrational fear of a black messiah directly led to circumstances that found the government involved with or having knowledge of the assassinations of Fred Hampton, Malcolm X and Martin Luther King, Jr.  So it is unsurprising that this gripping phobia also led to the scrutiny of the wombs of black activists since the goal of phobic was to prevent a Black Superman from uplifting “the people” a.k.a black folk and pulling a modern day Moses routine on the machinations of a modern day Pharaoh.

Assata Shakur explicates this fear in her Autobiography, which shows in her descriptive prose capturing the reactions of the prison guards and government officials when they come to learn that she became pregnant while they held her captive in gross violation of numerous rights she should have been afforded.  She perfectly breaks down the state of oppression that consumed her being, as one that was so complete that those imprisoned didn’t realize that their perceptions of freedom were but a façade; Assata stated that “in AmeriKKKa she [had] always been in prison” and the only difference then, when she had been placed in a cell was that now she could see and feel the bars.  This is a type of consciousness that was born in the teachings of Malcolm X and both members of the Shakur tribe, Afeni and Assata would argue that their motherhood pales in comparison to that of Betty Shabazz, who carried her twins to term, while held captive to the assassination of their father, Malcolm X.  It was Malcolm’s inspiration that birthed the Black Panther Party and it was this organization that helped awaken consciousness in both Afeni and Assata, though they both would transcend its socialist construction and find spirituality in Islam and in New Afrikan identity.

FRONTPAGE_malcomx

The Tribe of Shabazz and the Tribe of Shakur

Sheikh Hashim likes to tell the story of when he was with Tupac and ‘Pac was using a label maker to punch labels out on sticky tape and place them underneath pictures he had pinned to his bedroom wall.  One of the photos was of Malcolm X, and under it Tupac had labeled “Original Gangsta.”  It makes me chuckle inside when people label Tupac a Gangsta Rapper, since they are unaware to which “Gang”, Tupac truly belonged.  Tupac was a member of the Shakur tribe, and learned lessons that shaped his consciousness under the tutelage of Mutulu Shakur, and took inspiration from Assata and his mother Afeni.  Young Tupac Shakur, renamed after the Incan emperor and revolutionary, spent his gestation in limbo, as his mother Afeni stood trial as part of the Panther 21.  She was acquitted and Tupac would be born a free child—however Assata, another member of the Shakur tribe did not fare as well and gestated her daughter in prison.  So his cousin Kikuya (Assata’s daughter) came into this world with the unenviable circumstance of being born in captivity—a circumstance that hearkens back to the matriarchal narrative of so called slaves.

Afeni passed away on May 2nd, one week before the third anniversary of the passing young Malcolm Shabazz, the grandson of Malcolm X, who was our close friend and whose death and funeral consumed much of our spirit and community energy.  I was one of the few brothers called on to wash his body, as per Islamic ritual, and the memory of the lukewarm water running over the cold skin of his empty shell, the smell of camphor and the circumstances of the murder that put the lifeless form of my brother in front of me will haunt me till the day of my own death.  Afeni’s passing, was another blow to the tribe of Shakur, just as Malcolm’s was to the tribe of Shabazz.  These two families while distinct, remain connected in my mind via the conduits of affinity they had with Islam, celebratory blackness and an unapologetic adherence to social justice; and because of these things, there was a fourth connection, which was of trial—where members of both tribes experienced the inner workings of criminal “justice” system and domestic intelligence organizations for challenging the status quo on issues of faith, race and social justice and for having the tribal capacity to birth and train and black messianic figure.

2pac

2pac in Tamil pays homage to Afeni directly with the lines “reincarnated in Afeni’s womb”, and references to the Panther 21 case.  The song pays homage to Afeni as the conscious matriarch of Hip-Hop, which is to take nothing away from the contributions of other powerful women in Hip-Hop, but to give credit Afeni because she imbued one of the greatest, if not greatest M.C. in Hip-Hop history with the legacy of the Panthers, which in and of itself was a legacy of Malcolm, thereby inextricably linking Hip-Hop with the two tribes, Shabazz and Shakur.

2pac would have been 45 today, but we will be forever deprived of the wisdom he would impart as his experience grew.  In his later years, some have critiqued that 2pac was a slave to the music industry, and that the more popular he became the stronger the shackles did as well.  Yet these shackles, which came with a related shift in this self-professed feminist and socialist’s lyrics to misogynistic themes and capitalist lyrical content, seem to show a dramatic shift in an artist, who was perhaps Hip-Hop’s first male feminist lyricist up until he was shackled this way.  Songs like Brenda, Keep Ya Head Up and Dear Mama dedicated to Afeni Shakur, stand in sharp contrast to Wonder Why Bitch, but 2pac remained astute enough, Panther enough and truly hip enough to insert coded lyrics, like the captives of old did when they sang codes into negro spirituals, so that even songs with seemingly sexist lyrics carry secret messages to those in the know, see Me and My Girlfriend as an example—a song which deep sexual imagery that is constructed as an ode to libertarian values and the ownership of a gun.

2pac was a panther cub, and for those who don’t know Afeni or the Panther 21, understand that, it was as if Assata or Angela Davis had a child and that child retained the consciousness of the mother in his voice to/for the people.  Tupac was a conscious artist, and even when his music was not conscious, and constructed for popular construction it was still coded with consciousness for the people.  “The people” are the global black community and it is why 2pac is an icon for the continent of Africa, along with Bob Marley and Lucky Dube; it is why 2pac t-shirts sell in the bazaars of the Middle East and why in Latin America and South East Asia his visage is an icon reminiscent of Che or Ho Chi Minh.  2pac Shakur brought the voice of the tribe of Shakur to join with that of Shabazz, by the enduring connection elucidated earlier to speak to global issue of injustice.  He was taken from us, long before many knew what he represented and with the recent death of Afeni, it would seem that the strength of the tribe is waning—but like Malcolm’s words, Tupac’s songs live on and like Malcolm continue to inspire each generation that stands up to oppression everywhere on this planet!

2pac_Is_A_Global_IconShout out to the City of Oakland (#BayPride) for making today Tupac Shakur Day.